Thursday, September 17, 2009
To Amanda
There are a number of reasons he could have decided to write about a pedophile, and we will probably never know for sure why he made his choice. However, one possibility could be that he did it because it is an authors responsibility to represent reality. Unfortunately, pedophilia is a real thing, and there are men like Humbert out there. Another reason could be to toy with the reader's emotions. Nabokov loves to make his readers reflect deeply on his writings. What's a better way to do that than to portray a man who we should be immediately repulsed by, but then add in factors that make the reader feel sympathy for him. It really causes one to question morality by blurring a line that seems like it would be well defined.
It is very possible that neither of these are the real answer to her question. Nabokov, and Nabokov alone, knows the answer...or maybe even he doesn't. People often don't know he real reason behind things that they do.
Tuesday, September 15, 2009
Lolita Annotations
1. "...banal, Eden-red apple": This is one of the many references within Lolita to the scene in Genesis where Eve eats an apple from the tree of knowledge. The allusion continues on in the page as well with her tossing the apple up and down, as if playing a game with him, and then taking a bite out of it.
2. "And her white Sunday purse lay discarded near the phonograph": white often refers to innocence, and the fact that it has been thrown to the side and she is not in church could allude to the lack of innocence in Lolita. This would go along with the loss of Eve's innocence after biting into the apple as well.
3. "I produced Delicious": A Delicious is a specific kind of red apple, and it is an obvious reference to this type. Delicious could also possibly refer to either Lolita, or possibly and erection since Humbert has become extremely aroused in this scene.
4. "She grasped it and bit into it, and my heart was like snow under thin crimson skin...": This could refer to the story of snow white, who also bites into an apple and is poisoned. As Lolita bites into the apple, she takes a piece of his heart, and in the end she kind of acts as a poison in his life. Humbert also speaks of a kind of mist which surrounds him after she takes a bit, which could be from a kind of spell from the apple.
5. "...a plaster replica of the Venus di Milo...": Venus (also known as Aphrodite) is the Greek goddess of love and beauty. Venis di Milo is a marble statue of the goddess, and although her arms were broken off, it is said that in one hand she used to hold and apple and with the other she held her dress at the knee. This image is another reference to the apple/forbidden fruit. Lolita is like a Goddess to Humbert, and he finds her extremely beautiful and arousing. Also, Lolita's knees are exposed as well in this scene with her hands resting on them. (Below I have included a picture of the Venus di Milo)
Sunday, September 13, 2009
Butterflies
This is a moth, not a butterfly, but I loved it for it's
unique look. It is difficult to tell from the picture, but it had
a much different texture than any moth I have ever seen. The
coloring is unique as well.
The next two pictures are of the same species of butterflies,
but show the difference between the
colors found on the inside and the outside of the wings.
Note the eyes, which Nabokov mentions a number of
times throughout Speak, Memory, on the outside wings.
Also, they reminded me of the species that he discovered because of
the brilliant blue hue of the their inner wings.
These last two pictures are of the same kind of butterlfy as well,
and look similar to the ones above, but are different.
One can see the differences if they look closely.
Thursday, September 3, 2009
My Discovery of Literature
El Salto del Puente Colorado
This picture was taken by my father on July 27, 2009 in Costa Rica. I remember the exact date for two very specific reasons. The first being that the moment captured in this photo occurred the day before my family left Costa Rica, and also because of the action which we had all just completed prior to the this picture being taken.
The three people standing in the forefront of the photo are my younger sister, me, and our Tico guide Fernando. The three of us, as well as my father, had been travelling together for a total of five days and were on our way back to San Jose to catch a plane back to the US when we stopped at this location. We had discussed stopping here on the way to Monteverde, a beautiful mountain town surrounded by thick rainforest and located strategically located between two national parks, but had put it off due to nerves. The thick metal railing dissecting the picture hint at the fact that we are standing on a bridge, as does the plethora of green trees who's height is dwarfed by our own elevation, but it is impossible to gauge the distance between it and the ground. There is an approximately 265 foot drop from the bridge to the roaring water rushing below us. If one is afraid of heights, which I admittedly am to some degree, looking straight down would not be advised.
The two men wearing yellow shirts in the background were responsible for tightly securing our ankles to a long rubber band of a rope and fashioning our wastes with harnesses just in case something went terribly wrong. For a few brief moments, our lives were completely in their hands. They were encouraging, although somewhat sarcastic and taunting at points, and assured us that everything would be fine. The instructions that they gave us went something like this, "You will sit on the edge of the bridge facing us as we secure your ankles. After we have finished you will turn around and step out on the ledge, which looked very much like a diving board, and drop the rope over the edge in front of you. You should align your toes with the edge of the ledge while holding on to the pole beside you, and we will begin to count from four back to one. At the point that one is called out, you jump, hands out beside you as if you are flying. Oh, and don't look down..." As if we hadn't already looked down and our hearts were not beating fast enough already. I remember my hands feeling like they were being pricked by a thousand little needles and feeling my heart beat in my ponytail, which was obviously taken out before the picture.
All four of us had already made the jump before the picture was taken, and although one cannot easily glean it through our smiling faces and laid back postures, we were still shaking from the surge of adrenaline that shot through our bodies moments before. My shoes have yet to be put back on after the jump, even though I went first. My camera is hanging across my body, still warm from shooting the descents of my father and sister. My sister still holds my father's belongings, including his wedding ring and pocket change, removed before the big jump. The Tico's behind us are undoubtedly still laughing softly to themselves about the terror that they saw cross our faces in the moments between stepping out on the ledge and flinging our bodies toward potential death by impact.
This picture captures the aftermath of few mere seconds of my life that I will never forget, and that I hope to reenact someday in the future.
Tuesday, September 1, 2009
Earliest Memory
A few years ago I asked my father about it, unsure weather such an event was simply a figment of my imagination, perhaps originating from a dream, or an actual occurrence. He was taken aback by the fact that I remembered that day and told me that it had been the funeral of his great grandmother. His father, previously a priest, had in fact lead the service and it was his mother who had died. It is funny what we remember. I had no connection to this lady, except through blood, but I remember her funeral. I barely even remember the funeral of my great grandfather who died years and years later. What is it that keeps some memories so vivid in our minds and makes some lost forever? I don't know...but it is interesting...